
Exploring ‘Shine’ by Jason Mraz
🔈 No Steve today. And no cameras. Just sweet strings – guitars and ukulele, recorded stereo and a beautiful new cover song by Jason Mraz. ‘Shine’ is a story about love and light. Mraz shares some really beautiful ideas in this lesser known song and we’re claiming it for our ‘Castaway’ set which focuses on the weather and leaves audiences stranded on a beach… alone… with us!
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Who Knew Rain Had Such Groove?
🎬 There’s a jazzy version of ‘Here Comes The Rain’ by Ida Sand that deviates from the original by Eurythmics. It’s beautiful and haunting and we love it. What you’re hearing is the bare bones foundation of this song while we explore its potential for reproducing with our earthy sound. Lots of room to manoeuvre.
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Ride, Splash… Our Sound is Evolving
🎬 Steve is moving in! Well… the drums are. Just a few cymbals today while we ponder the next move. Putting in a kick and a snare will drive the volume levels up, plus we love the sound of the snares in the cajon. Tough decisions. We play ‘No Man is an Island’ and kinda’ re-learn ‘The One Behind’ as it’s been a minute. Enjoy the video below.
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Having a Small Breakdown
🔈 If you are a fan of going behind the scenes, learning how songs get arranged into their perfect state, you’ll love today’s video. We put some mileage on Ed Sheeran’s ‘Stop The Rain’ and ‘Tides’. Both of these tracks on the radio are wall to wall energy so it’s been a very rewarding process, breaking them down into more progressive versions. We’re finding more space for expression that way. ‘Sharks!’ also gets some airtime here – such a killer song! 🦈
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Meet James – Director of Photography
📸 The initial inspiration for Comma Echo comes from somewhere… James is a prolific photographer who has worked on assignment in over 15 countries. His work spans every sector but he’s most comfortable in the water. These beautiful images scratch the surface of James’ archive of work from the rugged Caribbean coastline.
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“Typical” Ed Sheeran is the Solution
🔈 First rehearsal for the new year! No cameras or multitracking but the single ‘room mic’ – a tiny Zoom H1 – never disappoints. As usual the stereo recording sounds great by itself. There’s some awesome songwriting moments in here. The first time we tried to play the song ‘Tides’ by Ed Sheeran, it was just wall-to-wall, a really big sound.
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The Streams Don’t Lie!
🎬 This week we rehearsed some originals: ‘Heavy Rotation’, ‘More’ and ‘No Tattoos’. Finally got Tyler’s lead guitar and Danielle’s ukulele through the main board so we can isolate them from the room mic and bring the levels up. Same for the vocals.
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BTS with Chris Dennis
📸 In 2011 Anthony Fung took this shot of James working with Chris for the documentary Between Worlds. “It’s late in the afternoon and we’ve already spent many hours together in the water. I managed to persuade this kid to operate the outboard engine on the dinghy. Chris and I are planning how we are going to connect.”
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It Might Even “Groove Better”
🎬 We are working on the nuances of our current favorite originals: ‘Gravity’, ‘Heavy Rotation’, ‘Don’t Fight With Me’ and ‘Give You Mine’. We’re also working on ‘The Eye’ (Toad The Wet Sprocket), ‘No Man Is An Island’ (The Script), and Lost (Maroon 5).
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Making ‘Give You Mine’
🎬 The way we write songs isn’t always very straight forward. ‘Give You Mine’ started with a story, recounted by Cleve DeVerteuil about a boat that didn’t return from fishing one morning. Determined to show people what that looks like, James set out to reconstruct a ‘search and rescue’ operation from the slipway in Blanchisseuse.
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Should We Drop ‘Tides’?
🎬 Other than Ed Sheeran’s ‘Tides’ which we might drop altogether, We are making progress with: ‘Gravity’, ‘Heavy Rotation’, ‘Don’t Fight With Me’ and ‘Give You Mine’. We’re also working on ‘The Eye’ (Toad The Wet Sprocket).
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A Rock and a Hard Place
🎬 “So I’m perched on this rock, cramping everywhere from the waist down. Half of me is trying to figure out how to get out of here without shattering the camera housing.
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Working on the ‘Castaway’ Set
🎬 Our cameras cut out a couple of times in this session but you can still listen while you clean the kitchen… or prep the boat. Our chill version of ‘Message in a Bottle’ is coming along nicely. It’s an important part of a ‘Castaway’ set we like to do – songs about getting shipwrecked on a deserted island.
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Making Mistakes
🎬 Songwriting and arranging is a lot of fun. We have very different musical influences ranging from Flamenco to Blues so we are learning from each other all the time. And while we are pushing the limits of what we’re capable of we make a few mistakes! Embracing them and knowing that we are pushing past our comfort zone is what makes music so therapeutic.
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‘First Light’ – Album Launch, Live at Home
📡 When we were done recording ‘First Light’, we really wanted to share it with friends and family first. So many of you all over the world couldn’t make it and it was one of the reasons we wanted to pull in to the greenroom in the first place. We hope you enjoy the vibe and we look forward to playing more live shows in the future!
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Rogue Wave
📸 We were filming on the outmost reef break when this wave caught us by surprise. The jetski went right, out of frame. The dinghy was already was on a trajectory to the inside. James caught them on camera almost by accident as the wave loomed up behind and started to break.
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Tell Me What You’re Looking For
🔈 This is a short clip from a really enjoyable session. We are figuring out chord variations for ‘Give You Mine’. What makes it even cooler is that Tyler and I are just getting to know each other.
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Making ‘Small Craft Warning’
🔈 ‘Small Craft Warning’ is an alt/rock/world production written and produced by James O’Connor, Luis Sanches, Kiwan Landreth Smith, Chas Sheppard and Sharda Patasar. The album was released in 2020 during a period of transition for everyone – especially James who was moving with his family from Trinidad to Canada. Writer and friend, Hugh Blanc generously offered to moderate a discussion about the genesis and evolution of the material that went into Comma Echo’s first album.
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Gravity – Bootleg! (circa 1990’s)
🎬 Captured by Sharon Burford on her phone, this recently discovered rendition of ‘Gravity’ comes from the garden at Ajoupa in Trinidad where James was surrounded by family and friends. We are singing under the stars on the deck of cedar house built 150 years ago and the harmonies are mind-blowing. To have so many people know the words, sing along and harmonize on the spot is just amazing! …were you there?
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Welcome to the Greenroom
📎 We recently started recording our rehearsal room so we could listen back to the decisions we made when writing and arranging a song. Then we added a camera so we could review our chord shapes (it’s easier than writing everything down). We shared the results with a couple of friends and they asked us for more so… the greenroom is where you can find it all from rehearsals to exclusives.
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